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@wakoishiguro - My studio sits across the Thames from Tate Britain, in a building shared by around 600 artists. That scale, and that independent spirit, is something you don’t find in Japan and I find it very comfortable. Coming here is enough
@wakoishiguro - My name is Wako Ishiguro, and I’m a Japanese painter. I moved from Tokyo to London last summer, and now I paint in oils in my studio almost every day. Like opening up the pores of one’s skin, like cracking open one’s
@laelreiss -Looking ahead, I feel my practice shifting toward a deeper engagement with BioArt. I want to expand my material vocabulary by working with organic, ephemeral elements such as fungi and mycelium, exploring how these living materials decomp
@laelreiss - There are so many discarded works, invisible failures, and photographs hidden away in drawers. That is just the reality of the process. I can pour endless hours, emotional energy, and financial resources into materials, working for days
@laelreiss - My inspiration is a collage of voices, imagery, and textures. Whenever I visit an exhibition or come across an artist whose work resonates with me—whether conceptually or through their use of materials—I print it out and keep
@laelreiss - My days in the studio are dynamic and constantly shifting. A typical day doesn’t really exist; rather, there are different modes of being. Some days are purely dedicated to gathering photographic material—I’ll isolate m

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